What is the side chain of a compressor?
Sidechain compression is a bit different. It is a type of compression where the effect level on one instrument is controlled by the volume level of another instrument. A common example would be making the compression level on a bass controlled by the output volume of the kick drum.
Should you use a multiband compressor for mastering?
Why do we want to use a multiband compressor in audio mastering? Because it’ll give you more control over the dynamics of the audio signal. With this you can process the low end of the mix without even touching the cymbals. This is why it is a very useful tool.
When would you use a multiband compressor?
For this reason, multiband compression works excellent at shaping and controlling vocals. For example, you can compress specific frequency ranges to shape a vocal performance as a singer goes through different registers. You can also use multiband compression when elements in the same frequency range are clashing.
How do you Compression a side chain?
Here’s how to set up sidechain compression.
- Insert a compressor onto the bass track (select a compressor with a sidechain or key input).
- Select the kick drum audio as the sidechain input.
- Adjust the threshold and ratio controls so that the bass is compressed by the desired amount whenever the kick drum hits.
What is side chain processing?
Sidechaining is all about interaction between a signal processor and an audio source (usually one that’s different from the audio that’s being processed). Audio for video — Use sidechaining to reduce the level of a music bed during narration.
How do you master with a multiband compressor?
Trick #2 – Making Bass Guitars Sound Powerful
- Load up a multiband compressor on the bass part.
- Set one of the bands on your compressor to 0-100Hz (or higher).
- Apply 5dB of gain reduction or more – you can be more aggressive with compression on low end instruments.
- Now apply the same amount of makeup gain.
Why is it called sidechain?
Sidechaining was born when Shearer conceived of a compressor with a “side” signal chain (separate to the main trigger signal) with an EQ slapped on it – rather than evenly compressing the incoming signal, this “de-esser” would only be triggered when the specific sibilant sounds appeared.
How are multiple compressors used in multiband compression?
Multiband compression is a technique where multiple compressors are used to compress different frequency bands of a signal individually. A normal compressor applies the compression to the signal evenly along the whole frequency range of that signal.
How is a sidechain related to a compressor?
A sidechain signal, the one that triggers the compressor. It will determine when the compression occurs and how it reacts. Something that is usually misunderstood in sidechaining, is that when you are setting the parameters of the compressor, you are not doing it in relation to the main audio signal, but in relation to the sidechain signal: 1.
How does the C6 multi band compressor work?
The C6 starts off with a four-band/three crossover compression section that is supplemented by two additional floating bands. The four band section has threshold, gain, range, attack, and release controls for each band and allows the crossovers to be altered to fit your situation.
What does a four band compressor plugin do?
The four band section has threshold, gain, range, attack, and release controls for each band and allows the crossovers to be altered to fit your situation. The floating bands are free of the crossovers meaning they can be used anywhere in the frequency range.